Oscars candidates need to be WOKE

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  • #188809

    https://comicbook.com/movies/news/oscars-adding-inclusion-and-representation-requirements-for-best-picture-eligibility/

    The Motion Picture Academy has laid GROUND RULES for films to even be ELEGIBLE for Best Picture, they NEED TO BE WOKE.

    The Academy announced new representation and inclusion standards for eligibility in the Best Picture category, which all films will be required to meet in order to even be nominated for the award. All other categories at the Oscars will be held to the same eligibility requirements.

    “The aperture must widen to reflect our diverse global population in both the creation of motion pictures and in the audiences who connect with them. The Academy is committed to playing a vital role in helping make this a reality,” said Academy President David Rubin and Academy CEO Dawn Hudson. “We believe these inclusion standards will be a catalyst for long-lasting, essential change in our industry.”

    These new requirements will see that Best Picture nominees meet two of four categories including: On-Screen Representation, Themes and Narratives, Creative Leadership and Project Team, Industry Access and Opportunities, and Audience development. You can read the full break down of the requirements for each of these below.

    Starting with the 94th Oscars in 2022 and the 95th Oscars in 2023, films will need to submit their confidential Academy Inclusion Standards form to be considered; however films will not be required to meet the specified thresholds until the 96th Oscars in 2024.

    Two of the Four requirements below will need to be met for a film to be considered for a Best Picture nomination.
    STANDARD A: ON-SCREEN REPRESENTATION, THEMES AND NARRATIVES
    To achieve Standard A, the film must meet ONE of the following criteria:

    A1. Lead or significant supporting actors

    At least one of the lead actors or significant supporting actors is from an underrepresented racial or ethnic group.
    • Asian
    • Hispanic/Latinx
    • Black/African American
    • Indigenous/Native American/Alaskan Native
    • Middle Eastern/North African
    • Native Hawaiian or other Pacific Islander
    • Other underrepresented race or ethnicity

    A2. General ensemble cast
    At least 30% of all actors in secondary and more minor roles are from at least two of the following underrepresented groups:
    • Women
    • Racial or ethnic group
    • LGBTQ+
    • People with cognitive or physical disabilities, or who are deaf or hard of hearing
    A3. Main storyline/subject matter
    The main storyline(s), theme or narrative of the film is centered on an underrepresented group(s).
    • Women
    • Racial or ethnic group
    • LGBTQ+
    • People with cognitive or physical disabilities, or who are deaf or hard of hearing

    STANDARD B: CREATIVE LEADERSHIP AND PROJECT TEAM
    To achieve Standard B, the film must meet ONE of the criteria below:

    B1. Creative leadership and department heads

    At least two of the following creative leadership positions and department heads—Casting Director, Cinematographer, Composer, Costume Designer, Director, Editor, Hairstylist, Makeup Artist, Producer, Production Designer, Set Decorator, Sound, VFX Supervisor, Writer—are from the following underrepresented groups:
    • Women
    • Racial or ethnic group
    • LGBTQ+
    • People with cognitive or physical disabilities, or who are deaf or hard of hearing

    At least one of those positions must belong to the following underrepresented racial or ethnic group:
    • Asian
    • Hispanic/Latinx
    • Black/African American
    • Indigenous/Native American/Alaskan Native
    • Middle Eastern/North African
    • Native Hawaiian or other Pacific Islander
    • Other underrepresented race or ethnicity

    B2. Other key roles

    At least six other crew/team and technical positions (excluding Production Assistants) are from an underrepresented racial or ethnic group. These positions include but are not limited to First AD, Gaffer, Script Supervisor, etc.

    B3. Overall crew composition

    At least 30% of the film’s crew is from the following underrepresented groups:
    • Women
    • Racial or ethnic group
    • LGBTQ+
    • People with cognitive or physical disabilities, or who are deaf or hard of hearing

    STANDARD C: INDUSTRY ACCESS AND OPPORTUNITIES
    To achieve Standard C, the film must meet BOTH criteria below:

    C1. Paid apprenticeship and internship opportunities

    The film’s distribution or financing company has paid apprenticeships or internships that are from the following underrepresented groups and satisfy the criteria below:
    • Women
    • Racial or ethnic group
    • LGBTQ+
    • People with cognitive or physical disabilities, or who are deaf or hard of hearing

    The major studios/distributors are required to have substantive, ongoing paid apprenticeships/internships inclusive of underrepresented groups (must also include racial or ethnic groups) in most of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing and publicity.

    The mini-major or independent studios/distributors must have a minimum of two apprentices/interns from the above underrepresented groups (at least one from an underrepresented racial or ethnic group) in at least one of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing and publicity.
    C2. Training opportunities and skills development (crew)
    The film’s production, distribution and/or financing company offers training and/or work opportunities for below-the-line skill development to people from the following underrepresented groups:
    • Women
    • Racial or ethnic group
    • LGBTQ+
    • People with cognitive or physical disabilities, or who are deaf or hard of hearing

    STANDARD D: AUDIENCE DEVELOPMENT
    To achieve Standard D, the film must meet the criterion below:

    D1. Representation in marketing, publicity, and distribution

    1COMMENTSThe studio and/or film company has multiple in-house senior executives from among the following underrepresented groups (must include individuals from underrepresented racial or ethnic groups) on their marketing, publicity, and/or distribution teams.

    Women
    Racial or ethnic groupAsian
    Hispanic/Latinx
    Black/African American
    Indigenous/Native American/Alaskan Native
    Middle Eastern/North African
    Native Hawaiian or other Pacific Islander
    ​Other underrepresented race or ethnicity
    LGBTQ+
    People with cognitive or physical disabilities, or who are deaf or hard of hearing

    [FACEPALM]

    #188815

    Let me get this straight;

    Instead of what/who is the best in any category, they now want a “who represents the CHECK-Box.”

    #188818

    Pretty much.

    As if we didn’t know already that SHIT movies like Get Out or Crash only got there for being woke

    #188831

    We really got to stop relying on Hollywood in providing us with good entertainment.

    #188838
    #188851

    R.I.P.

    The Oscars

    1929 – 2020

    #188866

    The awards shows have been woke shit for 20 years.

    #188869

    Christy Alley had called out the oscars.

    Disgrace to all artists

     

    “This is a disgrace to artists everywhere…can you imagine telling Picasso what had to be in his f**king paintings,” she tweeted. “You people have lost your minds. Control artists, control individual thought .. OSCAR ORWELL.”

    #188870
    DigiCat
    Moderator

      What in the actual fuck?

      confused agumon

      #188872

      @DDayCobra needs to call out the Oscars same goes to Josiah, Gary, Comix Division, Jesse, @AZ, etc.

      #188891

      Can anyone even remember half the films that won an Oscar in the last few years? It’s not just the woke pandering, but they also seem to have lost touch and can no longer spot a true classic. Look at the best Picture winners from early 90’s

      91- Silence of the Lambs

      92- Unforgiven

      93- Schindler’s List

      94- Forest Gump

      95- Braveheart

       

      Now the last 5 years

      19- Parasite

      18- Green Book

      17- The Shape of Water

      16- Moonlight

      15- Spotlight

      There really isn’t a reason to even give a shit anymore. They have been irrelevant for decades and each year less people are bothering to tune in and watch this useless garbage.  Let them burn themselves to the ground with all their woke politicking.

       

      #188895
      DigiCat
      Moderator

        I wonder what Rocket Racoon thinks of the Oscars now 😁

        #188914
        Anonymous

          It doesnt matter.

          Soon all actors will be replaced by Deep Fake or CGI actors.

          #188925
          DigiCat
          Moderator

            Nah, that’d fail even harder. It’s nice to have some CGI animation, even realistic one, but i don’t think it should ever take over completely

            #188927

            (misplaced post….can’t delete)

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