Cabrini

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  • #314305

    The critics are right on this one. This was not a faith film. It was a biopic made to appeal to everyone.
    It was basically “She Persisted: The Movie.”

    She was definitely a strong and smart woman. There was a bit of Tombstone/Don Holiday in her, as she had post-TB symptoms and some kind of lung issue, but she lasted longer than the doctors predicted. The critics of this movie are annoyed with the lack of praying and the lack of pleading for a miracle on her part.
    Alan said this was a period piece and that is important to keep in mind, because she is the Patron Saint of Immigrants, but the situation was much different back then. This was in about 1895, so they did not have electricity yet in most parts. It was still in the time of horse and carriage. The movie was shot incredibly well, so be on the lookout for Alejandro Monteverde. He had some amazing shots under water and there was an element of Opera and Rome in the movie.

    Andrea Bocelli’s daughter sings in the choir in one scene.

    I agree with the 3 star rating.

    The movie kept referring to her as “ambitious” and she said in the movie that she wanted to build an “Empire of Hope” consisting of orphanages, hospitals, and schools. The movie emphasizes the appraisal of the real estate properties that she started to acquire. She was so successful at one orphanage, that they threw a hospital at her to save that was going bankrupt because she was so effective. Will say that the nuns impressed me so much.
    In the film, the other nuns were basically NPCs, but to have such a large staff of women faithfully devoted to serving, it shows the power of having a team and crew of women like that. They are such good teachers and nurses and instructors. I actually know a very high powered female executive who was raised in one of these orphanages in Greece, who went from total poverty to a top globalist construction firm that builds infrastructure all over the world.

    Cristiana Dell’Anna, who played the lead role, is new to me and the performance was completely solid with the exception of one crying scene, her performance was perfect. Again, Director Alejandro has chops and a lot of the scenes look like paintings right out of a chapel. John Lithgow and David Morse delivered. Film Threat did an interview with producer Jonathan Sanger, who was very lucid still, and worked on Elephant Man in the past and had a very good working relationship with Mel Brooks.

    I am grateful to Angel Studios for this movie, but it did come off as feminist and made her out to be an ambitious entrepreneur and, at the end, we find out that her global holdings put her up there with the Vanderbilts and Rockefellers. That statement kind of diminished her in my opinion because I thought what is wrong with hospitals, orphanages and schools? It makes it seem like she had had ulterior motives and I don’t think so, but one other point the movie made was that she had her own order that was made up entirely of women. What they accomplished together is really impressive.

    #314306

    Some great lines in the film though. When they find out about her health condition, someone makes a remark to her and she says, “We can Serve our Purpose, or we can serve our weakness.”

    There is another scene where a comment is made about her going global and she says that the world is too small for what she wants to do.

    Due to her terminal condition, she said that she worked a lot because she felt like she was stealing just one more day of life, so it was very much a Memento Mori type of philosophy that she had.

    Yeah, it was woke, but Director Alejandro has greatness in him. First part of movie was very Oliver Twist. Same era, I think.

    #314461

    Eduardo talking to Jack. Vasegui and Monteverde seem to be masters at creating art into wedge issues. Really feel like this movie was made for feminists and yet, feminists are the very ones that are hostile to it, according to the Sound of Freedom producer.

    Maybe it’s because this story took place over a 100 years before there was talk of “female empowerment,” and she was such a high achiever with her group of nuns devoted to service. She definitely did not need some kind of mortal motivational language. Critics of the critics bring up the point that life was much more challenging then, so if she comes off a bit tough, it’s because people were like that in general back then. Just trips, by horse, train or boat were time-consuming. No airlines yet.

    Gotta say that some of today’s directors like Alejandro Monteverde, Denis Villeneuve, Robert Eggers, Neill Blomkamp and others are really impressing me lately just in the story-boarding panelization of the concept art camera shots they are able to line up in their films. Don’t know what’s wrong with me because I was never much into art-house, but really think these guys would be respected by Orson Welles and David Lean.

    Despite being a critic of the film, I think the actress should at least be nominated. She did a great job. Also, despite that I agree with the critics, I would see it again. It’s slow though. I agree with the first ladies review in almost all ways.

    Modern movies with “strong female leads” often emphasize a character’s physical strength or appearance and their ability to discover themselves and take on the world. I got the chance to see Cabrini, which is about a celibate Catholic Religious sister serving the poorest of the poor Italian immigrants in New York — and being a true mother to the orphaned and lost. Today I give my take on how this film shines in revealing the apex of femininity through displaying the counter cultural and heroic work of St. Francis Xavier Cabrini. I share some of my thoughts on the production of the film, compare its themes juxtaposed to other recent films with strong female leads like Barbie, and take you through some of my favorite scenes from the film. I also share my thoughts on what I would have loved to have seen more in the film.

    *SPOILERS INCLUDED*

    #314736
    Vknid
    Moderator

      I plan on watching this.

      Let’s understand that we do not need a total win, to have a win.

      Politics are not the root problem today.  Culture is what is broke first.

      If we can begin to celebrate actual virtues again and not their absence, then we have a great start.

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